Tuesday, 13 May 2014

Evaluation

Evaluation

I thought it was pretty funny when we received this brief because most of my group were really dreading this last section because it was all about the self-portrait but I wasn’t really worried, luckily for me. I didn’t go into this project with many ideas but once I got a few pieces of research done and advice from my tutor I felt confident in the direction I was going. This led me to choose, what I think were two good ideas that had personal meaning to me and strong links to each other through their lighting and framing. The last image I had to do was a self-portrait which I struggled a bit with because I limited myself to black and white, high key lighting and waist up framing by choosing very similar hero and villain images. I ended up taking inspiration from a student I used to go to Sixth Form with who produced a portrait where she overlaid images and morphed body parts to create freaky mutations of herself.

Starting the project I never thought I would actually embrace it as much as I did because I knew that it would be really difficult to  try and source all the gear I needed to wear especially for the John Wayne image, as well as all the abuse I would get for dressing up as a cowboy by my brother. With all this said it was probably the most enjoyable project I’ve done this year as well as being the most educationally rich with the studio lights/equipment and the fact I would make an awesome gangster, I need to go suit shopping more often, and I need a twin! However it was a bit of a challenge getting the posture and head position right which added a great deal of time and stress to the process but I eventually achieved success without killing anyone.

I think it’s easy to say that my main influence was David Bailey because I’ve tried to tailor every aspect of my photos to mimic his own work. The idea of this came from my tutor who first introduced the idea of the Kray Twins as my villain and then secondly with the idea of using skinny black frames for the presentation method. This led me to challenge myself to try and recreate in his style, especially in the lighting department. Strangely in this project I found a crucial bit inspiration from work I saw years ago that proved to be the major part of my self-portrait. I think the combination of their work.


Now the project is complete I’m glad the dressing up is over but I did really get into studio photography again. I think it was the task of trying to recreate the lighting that gripped me and ultimately made me enjoy it, however there’s one major thing that I would have done differently if I had to redo the project. This would have been getting someone to help take the photos. Even though I managed pretty well on my own it would have allowed me to focus on my posture etc, therefore making the hardest part of it all easier. Apart from that the project went smoothly and I’m pleased with the end product.   

My images finished and framed

My images finished and framed


With time running out I both printed and framed today. I wasn’t sure how big I was going to print the images because the camera I used isn’t the greatest so pixilation could have been a problem. I think in normal situations my camera is great, but because I’m shooting in the style of David Bailey it needs to be really sharp and detailed.

Looking at the results I’m happy with both the size and detail in the images and the frames look better than I thought they would when I recreated them in Photoshop. I think the black border helps finish the images as well as providing key separation between the white borders and images themselves. If I would change anything it would be the crop of the John Wayne image as it goes a bit beyond the head a shoulders look that the others have making it look a little bit out of place, however it wouldn’t have been worth the reproduction costs and most importantly it wouldn’t have been true to the original image.

How I will present my images.

How I will present my images.

Because I’ve been looking at David Bailey’s work a lot throughout this project, I was thinking of recreating the skinny black border that he has on his prints with one of my own but also with a skinny black picture frame.   


To see how it looks I put on a frame and border in Photoshop and they turned out pretty well so I will go ahead with this idea. Now I have to resize and figure out what paper I will be using, but I will most likely decide that on the day. 




My images as a set of three

My images as a set of three.

I think my plan of trying to link my images through lighting and framing has worked out well because they all complement each other even though the content is very different.

Now I need to figure out how I will present them.




My self-portrait

My self-portrait, third and final image





























I really had no idea what I wanted to do for my own self portrait even though I had a lot of time to think about it after I completed my Kray and Wayne photos. I ended up with this because I remembered one of the people from my old college doing something similar where she removed her eyes and placed them on her hands which she had by her side. As you could imagine, this grabbed all our attention.


For my image I didn’t go as crazy as that, as I wanted it to tie into my other two Images which meant it had to be square and cropped from the waist up. Again I kept to the high key lighting which just so happened to make it easier to blend both images together and made it simple to blend my left arm into the background.

First day Shooting

pent the day in the studio and produced two of the three images required for the brief. I think they look pretty good and resemble the original images in terms of lighting and framing.


I’m still not sure what I’m going to do for my own self portrait, but now this is out of the way I will have plenty of time to figure out what I could potentially do. I’m thinking of doing something simple so it will match the other two, keeping with the square framing and lighting style.



Image lighting setup

Before I start shooting I need to figure out how the lighting will be set up, to save time when I’m at the studio.



























I’ve put the directions that the light is coming from with arrows to make it easier when I’m there. The main source is clearly from arrow 2, which I think I can recreate from a beauty dish with a grid which will provide a similar contrasty look. The light needs to be positioned so the underside of the hat is a dark as possible, so it will be a couple of feet above my head.

Arrow 1 shows that there is some light that’s been shone back into the picture. I could use a reflector, but it’s hard to do with a grid beauty dish. The other option is to use a second light.

I think the hardest part of this image will be to get a similar posture and head position so I imagine that there will be a lot of trial and error involved to get it close to the original. 


















For the twin on the right I will use a grid beauty dish to get the contrast. The light will probably be in the same position as the John Wayne shot.


The twin on the left will probably need a beauty dish without a grid, from the same angle. This will allow the light to hit the other side of the face more. The use of a reflector facing the direction the arrow is pointing will also help to light the edge of the cheek.

Tutorial

In today’s tutorial I spoke to my tutor about my ideas, with the goal of deciding who I will be photographing. I went into the tutorial with John Wayne as my hero which I was almost a 100% sure about, and then Doctor Evil out of Austin Powers which I only really chose on the day so I had more to talk about.

Coming out of the tutorial I was really happy to know that he liked the idea of John Wayne, and the specific photo of his I’d chosen. As for the villain, he showed me David Bailey’s photo of the Kray twins. I wasn’t sure about it to start with as I didn’t know a great deal about them, but he explained to me that the use of lighting in the Wayne photo is very similar as well as the way the photos are framed which would make them work well as a pair. This meant in my opinion that my own self portrait would have to be done in a similar way but I didn’t mind because I hadn’t made any plans for it as yet.


Now I feel as if I have two solid images that I happy to do, I will go ahead with sourcing the right clothing for the images.


Movie Hero and Villains

Looking at ‘Iconic images’ in google images isn’t really providing me with any of my own personal heros or villains so I’m going to narrow my search to icons within the entertainment industry where I’m sure I will find some potential options. Images bellow show scenes of films, character from films that are iconic in their own way.


Without giving it much thought I know that John Wayne is my biggest movie hero. I used to watch western films throughout my childhood and they were always made better with the inclusion of John Wayne and his immense one liners. As for movie villains, I don’t have a clear favourite, so I will do some more research to figure out what I want to do.







What is Iconic

The first thing I knew I need to do after looking at the brief was to find out what makes an image iconic which would help me to figure out what images I could choose from when I replicate one of my heroes

After spooling through various webs sites that were rubbish, I found this sentence that made sense to me and confirmed what I previously though: “An icon is then two things at once; it is simultaneously an image and an idea, it is both a sign and a symbol.”  


Here’s a couple of images that are considered iconic:

Che Guevara was an Argentinean-born, Cuban revolutionary leader who became a left-wing hero. Iconic image by Rene Burri.


 The most iconic image of the Tiananmen Square massacre, this picture depicts the important “unknown rebel” standing in front of the tanks that threatened a peaceful protest in China. Jeff Widener snapped this image.
 National Geographic photographer Steve McCurry shot this iconic image of Sharbat Gula, a 12-year old Afghan girl. She was one of the students in an informal school within the refugee camp and her haunting face, a rarity to be so fully showcased, much less photographed, made it on the cover of National Geographic in 1985. Sharbat’s image captured the imagination of generations the world-over, becoming a symbol of the 1980 Afghan conflict and plight of refugees.
After two decades of its iron separation of East and West Germany, the Berlin Wall finally fell on the evening of November 9, 1989. People gathered around the wall to see if it had actually fallen, and the border guards, who had no explicit instructions on what to do, let them through. Mass jubilation ensued.
Read more at 
http://all-that-is-interesting.com/iconic-images-80s/3/#8kAwQ46o0SM0y89l.99